
March 14, 2012


These images, by photographers of the Farm Security Administration,
are some of the only color photographs taken of the effects of the
Depression on American rural and small town populations. The FSA
was an effort during the Depression to combat American rural poverty.
Photographers and writers were hired to report and document the plight
of poor farmers. Their aim was to introduce America to Americans.
Many of the most famous Depression-era photographers were fostered
by the FSA project. Walker Evans, Dorothea Lange, and Gordon Parks
were three of the most famous.
(Thanks to MG)
Labels:
Photography

‘…That modern art rubbish, my 8 year old kid could
do better than that.’ It’s worth noting these are large
scale drawings, often more than 8ft tall.
Labels:
Sculpture
Alain de Botton on An Ethical Advertising Campaign
Advertising has a bad name in society, because it’s associated
with selling us things we don’t really need: chocolate, 4 x 4 cars,
diamond rings. We may appreciate the artistry, intelligence and
wit that’s often found in adverts – we’ve just got problems with
what goods are being sold.
So imagine a different way of using advertising: one that would
use the aesthetic talents of advertising but direct these to a really
grand and noble project: that of nudging us to be the best of
ourselves. Imagine an ethical advertising campaign that wanted
to promote virtues of character applicable and relevant to our
own lives, virtues like kindness, patience, humility, generosity,
courage and humour. Read more here
Labels:
Advertising
February 28, 2012
Vivian Maier died in 2009 and her work of Chicago would
have remained unseen unless an amateur historian stumbled
across thousands of her negatives in a Chicago auction.
Labels:
Chicago,
Photography


A contemporary version of the classic Eames Powers
of Ten. One that you can play with on your own. It might
help to put the next client meeting into perspective?
Labels:
Science

Aram Bartholl’s art transfers elements that we take for
granted in the digital world into the everyday. It creates
a weird tension in the work and highlights the differences
between the two worlds in which we exist.
Labels:
Sculpture
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